Home Planet News

a journal of literature & art

The Literary Review

Issue 9         Page 11

Pillow

The pillow over my face,

a stupid argument,

the struggle for air,

the only time he tried

to kill me. He didn’t like

words that slipped

from my mouth,

wanted the roar of ocean

in my ears, his words.

His indentations,

punches in the sheetrock—

shipwrecked emotions.

And for a while, I stayed on,

I’m now red-faced

to admit it.

I was a stepped-on

origami locked

in his tight box.

Slow to break the latch,

once I did,

I inched away,

slowly,

so as not to spook him,

began to talk freely—

couldn’t stop.

This time, my voice drilled

through granite

and magma.

You could hear me

on the other side of the earth.

9-IMG_20200312_183216749[8]
© Eliezer Berrios: IMG_20200312_183216749[8]

Nasty Girl

A circle of little girls

in pedal pushers yelling,

Hit her!

and I do,

punch her in the gut,

surprised at the force

of my fist

against her skinny torso.

She doubles over,

as if on a hinge,

and I flee.

Her mother finds me,

hiding

under my parents’ bed—

my parents at the grocery

—her finger pointing at me

like a drill bit.

I’m afraid

of her red mouth

that screams, how dare you!

I don’t know why I hurt

her daughter.

She stole my doll, but

I’m not a girl who hits.

Though I cower,

I taste the power

of intentional harm,

suck on its sour candy,

while I stay squeezed

out of reach, under the bed.

Humiliation of the Empress of the Animals

Some children want to go farther

than the chain-link fence, the row

of trees on their street. I wanted—more,

something I couldn’t articulate.

Sometimes, I still feel this way.

Then, I expressed it with a drawer

of travel postcards and foreign stamps

in the desk where my father kept his cigars.

To impress my friends, I ate

Play-Doh, red, salty and sickening.

In the backyard, solemn with ritual,

I pointed out the magic doorbell

encrusted with paint—under the sagging

porch—swore, if I rang it

at midnight, all the animals would come,

leopards even, summoned by their empress.

                                    In the darkness,

they gathered around me,

sat on their haunches and waited.

I whispered to my subjects—

furry, silent creatures with luminous eyes.

                                    My friend sits

across from me, strokes her dog,

who gazes at her as if she’s the empress.

She says she’s forgotten

how she snuck into the yard to lay claim

to my power, to ring the magic bell,

and unmasked me in front of everyone

after she waited and waited,

but no animals came.

Where Zoltán Street Would Go,
if It Stretched That Far

Shot at the water’s edge

by Arrow Cross fascists,

3500 Jews, ordered to remove their shoes,

valuable in wartime.

Bodies fell into the unforgiving river.

Today, 60 pairs of rusted iron shoes

by sculptor Gyula Pauer

(minus the stolen ones) stand

on the Pest side of the Danube,

some shabby, some not—loafers,

heels, workman’s boots,

baby shoes—look as if they’ve just been

stepped out of, the owners strolling

barefoot to nearby Parliament. 

In the railway station, Keleti,

exhausted Syrians wait for a train,

sleep on the concrete sidewalk.

They’ve walked 125 miles

from the Serbian border

only to be moved to camps

made of metal shipping containers.

The Prime Minister says they’re free

to return to Serbia any time,

as a fence around them rises. Razor wire,

tear gas. Locals scowl: eyesores;

would like to march them to the river.

A sympathetic few bring them food,

water, rows and rows of shoes.

Anti-Ode to My Hammertoe

Bumpy, angry appendage,

bend-of-a-coat-hanger-shaped

lesser digit, with your red

corned ulceration,

as if you drink too much,

useless thing, rebellion

in the genes, running-riot disdain

for the straight life—

you are a complainer.

Why do you hurt me, so like

a lover? You give me such

crap, and then I call you useless,

but only when I’m angry.

When your horny plate at one end

sparkles in red paint,

encased in strappy sandals,

I love you,

or at least need you,

as part of a complete digit set.

Where would I be without

your metatarsal

doing its part to propel me

forward–the direction of life.

Even when crammed into

hideousness, a hard sell

like a surgical shoe,

you fulfill that promise.

You’re Nobody ‘til Somebody Loves You

And you learn to love them back

If you can’t find somebody 

you might spend months

in a darkened room

while the curtains begin to rot

like the silver-spoon tycoon who stacks

Mason jars of his urine

bribes politicians

New York strip steak 

every day        medium rare

push the larger peas away

every day        precisely 12

If there’s no love in the details

life’s just a compendium of hates

and contamination is everywhere

Frail    naked

but for a pink napkin over his cock

Howard Hughes watches movies

purchases hotels          restaurants

lovers

The napkin can’t save him

Movies can’t save him

Ice Station Zebra and The Conqueror

on continuous loop

Even Ava Gardner couldn’t save him

She confessed she just didn’t love him

Pain and codeine

Five docked hypodermic needles

stuck in the flesh of his arms

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