Pillow
The pillow over my face,
a stupid argument,
the struggle for air,
the only time he tried
to kill me. He didn’t like
words that slipped
from my mouth,
wanted the roar of ocean
in my ears, his words.
His indentations,
punches in the sheetrock—
shipwrecked emotions.
And for a while, I stayed on,
I’m now red-faced
to admit it.
I was a stepped-on
origami locked
in his tight box.
Slow to break the latch,
once I did,
I inched away,
slowly,
so as not to spook him,
began to talk freely—
couldn’t stop.
This time, my voice drilled
through granite
and magma.
You could hear me
on the other side of the earth.
© Eliezer Berrios: IMG_20200312_183216749[8]
Nasty Girl
A circle of little girls
in pedal pushers yelling,
Hit her!
and I do,
punch her in the gut,
surprised at the force
of my fist
against her skinny torso.
She doubles over,
as if on a hinge,
and I flee.
Her mother finds me,
hiding
under my parents’ bed—
my parents at the grocery
—her finger pointing at me
like a drill bit.
I’m afraid
of her red mouth
that screams, how dare you!
I don’t know why I hurt
her daughter.
She stole my doll, but
I’m not a girl who hits.
Though I cower,
I taste the power
of intentional harm,
suck on its sour candy,
while I stay squeezed
out of reach, under the bed.
Humiliation of the Empress of the Animals
Some children want to go farther
than the chain-link fence, the row
of trees on their street. I wanted—more,
something I couldn’t articulate.
Sometimes, I still feel this way.
Then, I expressed it with a drawer
of travel postcards and foreign stamps
in the desk where my father kept his cigars.
To impress my friends, I ate
Play-Doh, red, salty and sickening.
In the backyard, solemn with ritual,
I pointed out the magic doorbell
encrusted with paint—under the sagging
porch—swore, if I rang it
at midnight, all the animals would come,
leopards even, summoned by their empress.
In the darkness,
they gathered around me,
sat on their haunches and waited.
I whispered to my subjects—
furry, silent creatures with luminous eyes.
My friend sits
across from me, strokes her dog,
who gazes at her as if she’s the empress.
She says she’s forgotten
how she snuck into the yard to lay claim
to my power, to ring the magic bell,
and unmasked me in front of everyone
after she waited and waited,
but no animals came.
Where Zoltán Street Would Go,
if It Stretched That Far
Shot at the water’s edge
by Arrow Cross fascists,
3500 Jews, ordered to remove their shoes,
valuable in wartime.
Bodies fell into the unforgiving river.
Today, 60 pairs of rusted iron shoes
by sculptor Gyula Pauer
(minus the stolen ones) stand
on the Pest side of the Danube,
some shabby, some not—loafers,
heels, workman’s boots,
baby shoes—look as if they’ve just been
stepped out of, the owners strolling
barefoot to nearby Parliament.
In the railway station, Keleti,
exhausted Syrians wait for a train,
sleep on the concrete sidewalk.
They’ve walked 125 miles
from the Serbian border
only to be moved to camps
made of metal shipping containers.
The Prime Minister says they’re free
to return to Serbia any time,
as a fence around them rises. Razor wire,
tear gas. Locals scowl: eyesores;
would like to march them to the river.
A sympathetic few bring them food,
water, rows and rows of shoes.
Anti-Ode to My Hammertoe
Bumpy, angry appendage,
bend-of-a-coat-hanger-shaped
lesser digit, with your red
corned ulceration,
as if you drink too much,
useless thing, rebellion
in the genes, running-riot disdain
for the straight life—
you are a complainer.
Why do you hurt me, so like
a lover? You give me such
crap, and then I call you useless,
but only when I’m angry.
When your horny plate at one end
sparkles in red paint,
encased in strappy sandals,
I love you,
or at least need you,
as part of a complete digit set.
Where would I be without
your metatarsal
doing its part to propel me
forward–the direction of life.
Even when crammed into
hideousness, a hard sell
like a surgical shoe,
you fulfill that promise.
You’re Nobody ‘til Somebody Loves You
And you learn to love them back
If you can’t find somebody
you might spend months
in a darkened room
while the curtains begin to rot
like the silver-spoon tycoon who stacks
Mason jars of his urine
bribes politicians
New York strip steak
every day medium rare
push the larger peas away
every day precisely 12
If there’s no love in the details
life’s just a compendium of hates
and contamination is everywhere
Frail naked
but for a pink napkin over his cock
Howard Hughes watches movies
purchases hotels restaurants
lovers
The napkin can’t save him
Movies can’t save him
Ice Station Zebra and The Conqueror
on continuous loop
Even Ava Gardner couldn’t save him
She confessed she just didn’t love him
Pain and codeine
Five docked hypodermic needles
stuck in the flesh of his arms