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a journal of literature & art

The Literary Review

Issue 9         Page 16

Upper West Side Bris

When my nephew was born that fall,

his bris fell on a holy day, Shmini Atzeret.

The mohel, an Orthodox rabbi,

weighing his religious obligations,

consented to perform the service,

but he had to walk forty blocks,

climb eleven stories up the highrise stairwell,

to avoid “working,” a legalistic term

having little to do with effort.

 

My wife and I had driven up from Baltimore,

a four-hour trip that made me feel

like  a martyr, an epic effort out of The Odyssey,

the tolls, the traffic, the impossible parking.

 

When Finklestein’s faint tap came

at my brother-in-law’s door,

an eloquent Morse Code signal of fatigue,

the bearded man mopping his face,

my embarrassment cut my sense of sacrifice

like a sort of moral circumcision itself.

Bomb Scare

Oh Lord God.
The Subject line in the e-mail
was a garble of characters,
and I didn’t recognize the sender’s name.
But the word “Bomb” exploded
from the alphabet soup of type
crawling like bugs across my computer screen.
“Didi!” I yelped, rocketing
out of my chair as if I’d been shot,
hurrying down to my co-worker’s cube.
Didi works with the emergency response staff,
so I thought of him first.
“Come here to my desk, please.”
I tried to sound calm but I could tell
he knew I was freaked by something.
Ever since 9/11 I take all this seriously,
especially working in a government agency.
“Send that to the security desk, Sandra,”
Didi told me, cool as an after-work drink.
He even looked like he was smiling,
as if he found it funny.
I know I shouldn’t be so scared,
but when you lose somebody you know
like I did at the Pentagon that day,
you don’t get over it so easy.

© Eliezer Berrios: IMG_20200222_114320189[3]

Peter Roget Escapes

I’d just graduated from medical school,
didn’t know what to do next –
performed odd jobs, took extra courses,
even volunteered as a test subject
for a nitrous oxide trial
at the Pneumatic Institution in Clifton.
Seeing me despondent, flailing about,
my uncle got me a position as a chaperone
for the two teenaged sons of John Philips,
a wealthy cotton mill owner in Manchester,
a year-long trip to the continent,
to learn French before joining the business.
Brits now flocked to France
after eight long years of war,
the peace treaty signed in Amiens closing it out.
Off we went in February of 1802,
only weeks after I’d turned twenty-three.
The boys and I had a great time in Paris,
even saw Napoleon at the Tuileries Palace,
then on to Geneva, where our luck ran out.
Imperial Napoleon had marched on Italy, Holland, Switzerland,
so King George III declared war on France
just a year after the armistice.
The French retaliated, British citizens
declared prisoners of war,
to be transported to Verdun.
I sent Burton and Nathaniel to their father’s associates in Neuchâtel,
tried establishing Swiss citizenship,
since my late father hailed from Geneva,
but in the end, the boys and I sneaked off, through obscure villages,
disguising ourselves in shabby clothes, only speaking French,
bribed a French guard with a bottle of wine,
crossed the Rhine into Germany.
Free at last! It was like waking from a nightmare!
We’d escaped – absconded, evaded, avoided, extricated ourselves,
fled, scrammed, vanished, saved our necks, slipped away, broke out:
we’d taken French-leave!

Terrorism

“Didi, come to my desk right now,”
Sandra shrieked, scurrying into
and out of my cubicle
like a mouse darting into a hole.
I followed her to her computer.
“I just got this e-mail
from somebody I don’t even know.”
On the screen, a scrambled message
like a ransom note, a jumble of letters and punctuation
out of which the random word “Bomb”
stood like a wound in the flesh
of the computer screen’s skin,
swarming with alphanumeric characters.
“Don’t open it!” she warned,
voice shrill with near-panic,
even though I stood three feet back,
my hands jammed into my pockets.
“Why don’t you forward it
to the security desk?” I advised,
even as I recognized the spam
for discount Viagra pills.
Ever since 9/11, years ago,
Sandra’d been suspicious
as a drug-sniffing bloodhound.
Anything threatening made her tail wag
faster than a windshield wiper in a downpour.
Fire drills frightened her;
she closed her eyes in silent prayer.

Would You Like to Come in for a Drink?

Ingrid Bergman (Anna) asks Cary Grant (Philip)
at the door to her London digs
in the 1958 film, Indiscreet,
after a convivial evening of conversation and wine.
It’s a pivotal moment; Philip says yes.
This seems like a memory to me,
but I can’t quite pinpoint it.
Would you like to come in for a cup of coffee?
Would you like to come in for a beer?
Would you like to come in?
 
Cross the threshold;
the vampire invited in;
no stopping him now.
Step over the doorstep.
I want to know you better.
Was I in college?
When I worked at the university?
When I had that job downtown?
Did it really happen to me?
Or was it something I read in a novel?
A movie I saw? A TV show?
Something a friend told me?
Had I assumed I’d been invited in
for different reasons than she really had?
Does this mean what I think it does?

A Cinema Cliché

A stock scene from the movies, I think,
slamming my shoulder into the door,
cops busting criminals,
diving through splintered wood
under a hail of bullets;
betrayed husbands looking into the startled eyes
of wives in bed beside lovers,
a sheet discreetly covering breasts;
treasure-seekers breathing in the dust of centuries
hovering spirit-like over mounds of jewels.
How I long for a stuntman,
feeling my collarbone give a little,
less sturdy than the bathroom door
behind which my toddler
has accidentally locked herself
like Juliet in the tomb,
with the rusty skeleton key
nobody has noticed for years,
lodged in the lock like a plug in a socket,
no one ever having bothered
to lock the closed door
until now.
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