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tranquilizers and other institutions
at life’s beginning,
understanding hieroglyphics
is a nasty frontier
obvious as an urge
to burn a dream
to charcoal and smoke.
and armed with ashes
of possibilities
and summers
of wintry hope,
you light an unfiltered cigarette
to the memory of achy time
with fingers
that always flip
to the last chapter;
fingers that have grown old
without growing up,
leaving seasons
unmoved.
and naïve.
and sensitive
as arthritic knuckles,
thinking disfigurement
has no odor,
selling pain
that never belonged to them
in that room where books lie
open. and
day after day
the olympic efforts of light
to move in a straight line
while at the same time
avoiding the crumbling rosetta stones
of your hands,
go unnoticed.