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Poetry of Issue 9: Breathe Louder into Silence

Breathe Louder into Silence

She insisted on living alone

unable to breathe without labor

attached to oxygen and feeding tubes

unable to walk without trembling

coughing the thick mucus in her hardened 

lungs that turned against her 

twice:  first her lungs, then the donor’s lungs

and, gasping for air, she insisted on living 

alone — 

after drunken revelries, after work despite 

the orders of doctors and common sense — 

as a stagehand or playing with a band.

Singing, croaking, shouting, enraged

with lungs that belonged to a quiet woman, 

who was patient, loved chocolate, and now, oddly, 

my friend cursed a little less, licked chocolate,

but couldn’t chew — there was no appetite,

only startling emaciation of the cheeks, legs, arms.

And she insisted on living alone —

despite her parents pleas for hospice, 

offers of their own sterile care, 

and, yes, she was lonely; she said so; 

 I traveled for a dreamlike visit 

We watched The Matrix, Rushmore, Behind the Music,

pontificating about alternate realities, childhood dreams 

and the virtues of Henry Rollins.

She cursed cheerfully, coughing her subterranean 

cough – and I flew back to LA, the final goodbye 

except for a belabored phone call when she told me 

the miracle. 

Her greatest love returned. 

That breakup was ugly, fueling her stubborn rage to live. 

The woman had left her for a simple man, 

leaving her with: foreign lungs, half-written songs, 

false breath — and she insisted on living alone 

— until the lover returned with knit sweaters, tears, caresses, 

of mourning and elation, caresses of absolution and 

of what could have been, and she heaved, asphyxiated, 

gasping in those last caresses, yielding in her own bed, 

her lover’s arms, no more gasping.

By Julie Bolt

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