Joey Nicoletti
Reading and Listening to Pat Cooper
How can I insult you today?
It seems that quite a few people think
that you have to be Italian
to enjoy my humor—
so let me enlighten you
on that score once
and for all. The actual
fact of the matter
is that my humor is enjoyed
all over the world. For example,
a French newspaper stated,
“We don’t know what
he’s talking about.” It almost
sounds better in French,
but not nearly as insanely
gorgeous as it does
in Italian. But I’m pleased
to crack jokes about how I look
like Clark Kent when I wear my glasses,
and my first wife telling me,
“Hey Superman,
take out the garbage,”
It seems that quite a few people think
that you have to be Italian
to enjoy my humor—
so let me enlighten you
on that score once
and for all. The actual
fact of the matter
is that my humor is enjoyed
all over the world. For example,
a French newspaper stated,
“We don’t know what
he’s talking about.” It almost
sounds better in French,
but not nearly as insanely
gorgeous as it does
in Italian. But I’m pleased
to crack jokes about how I look
like Clark Kent when I wear my glasses,
and my first wife telling me,
“Hey Superman,
take out the garbage,”
and about my parents
calling me “Patsy,”
which I loved referring to myself as
in my flow—not an act—even though
I anglicized my name
from Pasquale Caputo
to Pat Cooper
because I had a problem
with the IRS. Uncle Sam
was out to get me, because
the system’s rigged. It’s designed
to screw people over,
even if they made it;
even if they made it
without making it,
like Frank Sinatra.
Sure, he sang a nice song. But
without naming other
names, let me tell you:
Frank had assistance
from some people you don’t
wanna mess with.
He never helped any
other Italian guy
in show business. You know why?
It’s because he didn’t want
any other Italian stealing
his spotlight,
not even Dean Martin,
who also never thought
about helping anyone like me.
It’s because Italian entertainers
are jealous of each other,
fratello to fratello,
paesano to paesano.
You think I wasn’t
being thoughtful? My lawyer told me
to go by Pasquale or change
my name legally. Pat
it was for the rest
of my working life. I made good money
for doing so; I got to live
medium in Las Vegas.
I was a guest star on TV shows
like Charlie’s Angels,
L.A. Law, and Seinfeld.
I was also in some movies, including
Analyze This and
calling me “Patsy,”
which I loved referring to myself as
in my flow—not an act—even though
I anglicized my name
from Pasquale Caputo
to Pat Cooper
because I had a problem
with the IRS. Uncle Sam
was out to get me, because
the system’s rigged. It’s designed
to screw people over,
even if they made it;
even if they made it
without making it,
like Frank Sinatra.
Sure, he sang a nice song. But
without naming other
names, let me tell you:
Frank had assistance
from some people you don’t
wanna mess with.
He never helped any
other Italian guy
in show business. You know why?
It’s because he didn’t want
any other Italian stealing
his spotlight,
not even Dean Martin,
who also never thought
about helping anyone like me.
It’s because Italian entertainers
are jealous of each other,
fratello to fratello,
paesano to paesano.
You think I wasn’t
being thoughtful? My lawyer told me
to go by Pasquale or change
my name legally. Pat
it was for the rest
of my working life. I made good money
for doing so; I got to live
medium in Las Vegas.
I was a guest star on TV shows
like Charlie’s Angels,
L.A. Law, and Seinfeld.
I was also in some movies, including
Analyze This and
Analyze That. I wrote
the book of making art
out of anger. My success gave me
the clout to call out
a list of celebrities
who thought they were better
than you or me.
For example, I called bullshit
on Paul Anka,
who thought he was too good
to say hello
to me. And fuhgeddabout
Johnny Carson,
who once got so drunk
he pissed on my foot
in a men’s room. Stugots.
I’m a human being!
How dare you
take that away from me?
I never, ever
appeared on his stupid,
overrated late night
TV show again. I don’t care
how brilliant he was
on it. So was Steve Allen.
Jack Paar, too, to be fair. Hell,
even my pal Frank Sinatra,
The Chairman of the Bored,
had the balls to demand
I remove a joke
from my act. I said to him,
“Hey Frank,
do I tell you
what song to sing?
Bada bing—”
I said that in 1958, in a routine
called The Italian Wedding, long
before anyone else did.
James Caan popularized it
when he said it
in The Godfather.
You’re welcome,
David Chase—I made
The Sopranos more
entertaining; your
audiences howled
with laughter every time
your show had a scene
in Bada Bing, The Bing,
Silvio Dante’s strip joint,
where Tony Soprano’s crew
shot stick, had meetings,
and saw the Virgin Mary, all
without me saying
a single word. I worked
with The Count Basie Band
at The Sands, and Ella Fitzgerald
in Washington, DC. Not too shabby
for a former cab driver, huh?
Eat your Long Island heart out,
Rodney Dangerfield.
You think that you
got no respect? Try
You think that you
got no respect? Try
growing up with 45
statues of saints
in your parents’
house. Ever have 90 eyes
looking at you every time
you have to go
statues of saints
in your parents’
house. Ever have 90 eyes
looking at you every time
you have to go
to the bathroom?
Have you ever had someone throw
tomatoes on you
and been superimposed
in a saucy mound of spaghetti
for an album cover
and between slices
of semolina bread
for another, even though
you wore a tuxedo?
I had to rinse
for about three days
to get rid of the tomato seeds.
I don’t wanna tell you
where the seeds
wound up. You get my flow?
Have you ever been married
multiple times? Do you know
what it’s like to be divorced?
Do you need to be Italian, American,
or Italian American
to know how painful
a breakup can be? To have a spouse
die? To know what it feels like
to be heckled? To be treated as less than
the big deal you know you ought
to be regarded as? I mean,
I was just a guy from Brooklyn—
a talented one—born in Coney Island,
raised in Midwood
and Red Hook;
a guy who told the truth
as he saw and felt it, only
louder, more intense and
aggressive, with a fury that could burn
every bar and warehouse
on Van Brunt Street
into ash, like every bridge
between me and my parents,
my siblings, my first
wife, and my children.
They all resented my success,
which is why
I made fun of them
on stage, screen, and radio
every time I could—
and when someone asks me,
hey, Pat, didn’t you ever miss
your children? Don’t you think
they missed you? I always say,
“To tell you the truth, pal,
I never really gave a fuck.”
they missed you? I always say,
“To tell you the truth, pal,
I never really gave a fuck.”