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a journal of literature & art

The Literary Review

Issue 9         Page 29

OUTSIDE ON THE AVENUE IS THIS THING CALLED SPRING

and it is finally happening and the office workers are glad,

and the salesgirls in their plate glass windows look out and smile,

and spring is liquid and clean and it is everybody’s little secret,

and the boulevard is thin as a long-stemmed rose,

and the boulevard is aware of its unearned flower existence;

spring! jealously guarded, the ultimate justification,

it can’t be shared with just anyone, though it belongs to everyone;

spring! on the move, two blocks from anywhere you happen to be standing,

no more second hand moonbeams;

spring is working its magic in the anxious avenues,

and in the dark cafes waiters are setting out silverware

and cranking down red and white awnings,

and along the boulevard traffic edges back to life,

traffic is eating itself like a snake eating its own tail;

and the language of the street is cherry blossom pink,

and the cannibalistic impulses which dominate a city

have been put to rest, which is to say that the city

is tentative and kind, and matter-of-fact,

although kind’s too tender a word for a city,

a city is supposed to be hurried and inconsiderate,

a city is supposed to be angry and ungentle and not kind,

and solid as the bedrock it stands on,

even if it is all glass and steel these days,

gossamer as a moth’s wing,

even if it wears a wardrobe of flowers,

a city is supposed to eat holes in your shoes;

but the pollen and the swirling perfume

is too much for the city,

even the hardest geometries

have to give way,

so the geometry is loosening up

and the professional women are walking side by side,

and the man at the next table is stirring his coffee with an absurd little spoon,

and a loose page of newspaper print is holding commerce with the wind,

and the men in the kitchen are laughing and sweating and alive,

they live between garbage cans and the grease trap and don’t care,

and it’s so hot in the kitchen you could cook a stone;

it has certainly cooked the brains of the chef,

who has wild hair, he has been drinking again,

and is cursing one of the waitresses;

and the dishwasher’s face is red with laughter,

he finds the chef amusing;

and the waiters are gathered like geese in the doorway,

they are plotting revolution;

and the busboy’s arms are tight and bulge like a welterweight,

inside his lean belly there must be a rock which knows it is a rock,

and inside that rock is another rock which believes it is a flower,

although ‘believes’ is not the right word for a rock, not determined enough, not concrete enough;

‘believes’ is not a focused enough a word

for an object so solid as a stone

5.5.21

SKETCHES OF POSITANO

i
first of june: sky throws down its long hair; a thermal wind descends out of the endless blue, lies down with earth, the desires of flesh dip like jove into the ambrosia; these cliffs, cascading artistically to the sea! the amalfi coast is fragrant as lemon groves, coral digging in for the long haul, the dull gray battlescars of ancient campaigns fade like history
ii
clack of a donkey hoof, waggon-wheel on cobblestone, half a litre of ginestra cooling in the shadow; on the terrace a nervous energy walks past the pergola, rippling like a fountain in the sun; first day of june, an augury, dangerous forces are at work; positano is a pomegranate, ripening in the sun, positano has intentions! the elemental desire, amalfi exposed
iii
is amalfi so unstable as this? so treacherous? and in every season, is amalfi so alluring? amalfi is a great pregnant seed, waiting to burst open in the sun like a disobedient heart
iv
first of june: sea breeze rising, brackish; and the trade winds, all one great flowing and tempo, out of africa swaddled between cliff face and eternity, this perfect grip of earth to sky flesh, sky’s uproarious root and tendril, hip to sky hip; breast to sun, this sunbit urge, young women and well placed men at the point of exchange
v
and what do we call this dangerous paradise in june? and what do we call this urge to wound the flesh of the timid fruited earth? blue hint of starlight biting deep into young fresh lips
5.17.21

IN A CITY OF LOST SOULS

the rules of the street are all the same; to engage, to disengage, to stop when you must,
to keep moving when you safely may;
to run when your heart says freeze, to stand firm when the crowd says go;
these are the gifts of a city, the gifts a city of lost souls gives to its people;
to heed when not asked to and ignore when one can, to distance oneself from the crowd, but not stand out; to step away from either side of a fight;
to walk the line of the law without appearance of judgement or context of innocence or guilt; without appearance of agreement or disagreement;
to just flow, one of the crowd, invisible, indistinguishable from the rest;
an overcoat, a shadow on the side of a building; a ghost or projection of self, no different from
the rest;
to see without noticing and know without seeing, to be above the crowd but not separate from
it, to know when to duck out and how, without moving your head, without blinking your eye;
to smell a predator three streets down and walk the other way;
to move in the manner or way the city of lost souls moves, and watch other men’s hands; to not
lose direction or stride, not get tangled up in your own or the crowd’s shuffling feet;
no panic, no appearance of disquiet or alarm;
to fill and empty your lungs, your eyes, your heart, with concrete and glass and empty glimpse
of sky;
to grasp and let go, and know which is which; to be content, discontent, decisive, indecisive, cold
hearted without cruelty, nobody’s sucker, no victim; loving without adhesion, street smart
without caution or calculation;
all that is a gift, a precious gift, to cut loose quick in order to avoid solicitation, to hang on when
there’s no letting go;
for this is the nature of a city of lost souls, and its law;
       every engagement is unreasonable;
a returned glance is a proposition;
     every knot which cannot be untied ought to be sidestepped, walked away from, avoided;
and a man must know when to cut and when to run, know how to discern what is essential from
the detail in which it is wrapped, for everything cannot be equally considered;
in a world of provocations set ups and head on collisions; in a world of sideswipes and one on
ones and spurious allegations and quick cons;
in a city of false movements and cool handed strangers,
in a city of lost souls, where the terrible cloak of invisibility and bloodlessness envelopes and
protects and silences its people, like night.
5.21.21
9-CTvM_Tijd--s-Kunst-1
© CTvM Tijd--is-Kunst, clock face

DANCE WITH THE DEMON
WAKE UP WITH BROKEN HEELS

hustling is a fine thing in the big city

and sally was as fine a working girl

as any big city can manufacture —

the vultures in the clubs worship what

they don’t understand, like sex and

money, like pain; like women like her;

and she gave them what they craved 

in exchange for plateglass diamonds

watered down champagne and tips

tips tips — yes hustling is a fine thing

an instrument of the city that separates

the rich from their money, like one of

robin hood’s merry men, a kind of rough

justice and payback, beyond reproach

beyond redemption — dance with the

demon you wake up with broken heels —

a fine and noble thing and it goes down

easy if you can stomach the ordinary stranger

in your face on a bar stool or a VIP lounge,

if you can keep the disgust under control,

and the tracks in your arm hidden from view;

use it lose it, spit it out, give them just

enough of a taste to tantalize (every

morning sally cruises in a yellow cab

past the sick and the damned counting

money), sally survives, she thrives, urban

decay is her AKA, the smell of the alleyway

lingers in her hair (every morning at 8:15

sally has a rendezvous with the bastard

who currently runs her life, down by the

waterside where the rotting teeth of

old immigrant piers lap the tide) — in

sally’s wallet are snapshots of all

the men who ever controlled her life:

skin heads hit men fast talking leather

queens drug dealers and of course her

daddy– and sally is paying men back

one at a time, in their own currency —

weak men soft men eager compliant

suburban men you can push around,

keep off balance, men you can take

for a ride, who will feed you and

give you plenty of drinks, who will

open up their fat wallets and

let you rob them blind

5.13.21

FOR ALL WE KNOW THIS IS PARADISE

what if apples were still apples,

snakes still snakes, and we are

all still living in paradise; what if

eve is in the summer of her years,

running with the antelope, thighs

supple and alert, her face tan;

what if no nobody has had to

crawl on their belly on account

of some fairy tale crime; adam

lies blameless in a grove of

ripe pears, admiring eve’s gait,

admiring how evening light arrives

in eden on hushed wings to remind

him of love’s caresses; no temptation

no shame, just a curious bird, singing in

sweet ellipses, singing with the trees,

a song with no words, about god and

summer and sunlight in waterfalls;

a simple song, about how perfectly

a pear fits in adam’s hand, equally

perfect in eve’s hand too; and how

generously its juices spill onto

his chin and hands and chest,

(almost as if it was by design),

singing how we are all of us

two halves of a single fruit

hanging from a paradise tree

 

5.9.21

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