The Literary Review: Issue 10
Plays Page 2
Samuel Beckett’s Auction (How It Is Sold)
A Play
by David Russell
Home yes nobody left no dry rot under the wallpaper through the bent back wallpaper it is all dead memory must be dispersed into concise money
I he private individual a limited company limited private something back a spoon left untidily out of the cutlery box by one now not left it is a thing I see it is a memory that I know not a dream the cutlery box never I dream key well attached no detach DROP compartment image compartment dream compartment something inconsistent there I look at it
Last to be sold first to have been given I look at it crowd yes CROWD strange new faces to be held here disperse the memory for the sake of my new life here yes hate the dead memory of objects once personally given objects for sale in positions similar to positions immediately after donation yes concise inventory concise building dry rot concise money yes
Come here bid advertise it pays dream newspaper memory newspaper my blurred and sticky window notice there something wrong there come memory door memory window entrants yes the sum total of new faces all past visitors yes dream door no when I stop panicking no here no cold hard reality on the empty site outside mud defined by cut pavements little dried mud a unique house no others identical on the outside built according to prototype for sale no back here yes pilgrims in houses identical to their own no alienation dissecting animated idle curiosity all alive yes as far as they knew they had seen a notice to that effect
Ladies dream gentlemen memory people image something wrong there carpet not ripe for auction not shampooed things swept between big pieces of felt when I stop panicking must show them everything they might want to buy knock the walls down all the furniture in one no different rooms consecutively yes at great speed come guide memory would you like to see around my house
Gossiping in the identical houses nearby something wrong there everybody came in observation really I don’t know the dead reclaiming their goods once grudgingly donated in the shape of living purchases when I stop panicking in love and trust was this all mine I love and trust in life yes life no something wrong there afterwards all relationships clarified
I will leave the door on the jar when I stop panicking this cutlery box what am I bid have I any offers for this crockery no that’s for the next item nobody no bids attention in the relevant room nothing to keep the doors open they’ve all got to come back here some time what am I bid yes a penny for my thoughts something wrong there any advance on what I said what I know a fourpenny one swelling up the memory of a gift the occasion of a memory a sum total of gifts as one gift redistribution of gifts elevated on the unhappy scale of suspense what am I bid the strenuous stretch to freedom in anticipation of being outstripped the bid of laughter to flatten the bolstering bubbles of value bloating bubbles yes they relate their enthusiasm to bid to the infrequency with which they ever wrote yes ever came round yes transference to some part of the unknown who use the fragmentarily known quantity as a focal point
Impossible to exhibit everything fully for auction without making it available to full view must push it round what am I bid for this imitation mahogany wardrobe look up and in see entire dimensions of that to be bought a little farther forward the carpet is in choppy waves yes when I stop panicking the wardrobe storming wobbling splitting a deep full split a buffer to the bids yes split value for money yes forty-five degrees down something wrong there crash subduing the waves of the carpet yes restoring the value of a carpet I don’t know carpets never ride up in waves when they are correctly placed simultaneous splits from the fall flat on front the value of money is stabilized yes I will live regularly something wrong there when I stop panicking
Principle then that to the next bidder the last bidder a total stranger without having occasion to push the competition up in concert to arrest the acceleration freeze the acceleration yes something wrong there
Here yes they have visited at many yearly intervals any advance on two pounds yes come back in concentrated form dogends returned to floor yes glowing with life again seeping up making the atmosphere dead with life sell it all empty flesh sold to the gentleman behind no
Murmuring there somewhere under the wardrobe I can see I am bid fifty pounds continually I am bid the murmur to be the highest bid of all they bid faster than any residue ever grows they grow yes more restive and suspicious the murmur is an agent to push the price up which is quite unethical yes under the wardrobe shout to the murmur no stop they are asserting their rights as passers-by they begin to take their vengeance against the entire quota of objects no I do not shout loudly enough my impression of the entire proceedings has not been transformed by my shouting so more more shout
Blankets over my eyes beat blanket back tearing the bidders yes everything alright there the murmur articulates no price yes sold no stop no voice only a cough red swirls bare walls very cold SILENCE yes a few coins asymmetrically placed jagged ends of paper no home that’s what it’s for must go that’s what I always aimed to arrive at no