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a journal of literature & art

The Literary Review

Issue 10         Page 72

The Perceiver

Trees rise from earth in feminine form

as the sun emerges from its nightly grave.

On the ridgeline rabbits frolic in the dew

that chills their paws to the delicate bone.

The breeze sings through the meadow

where foxes tear their prey to bloody bits.

The low, white clouds mirror lakes

where water snakes’ shed skin decays.

Yard birds flock on the ground and await

the whims of human greed for beauty.

The window outlines a human form

that setting suns pull closer to the earth.

Yves Montand

       You are like a young one, she said,

                        With belle accent frauduLEUX
                        A young French boy
                        surfing our amber waves
                        A young French boy
                       waving from the pampas,
                        from a bull’s sight line
                        from the wrong side of the fence,
                        of the pond, of a language.
                        So difficult, she understood, to be
                        on the wrong end of an accent
                        thrown up like a faux wall,
                        if we may borrow that word.
                        Mais oui, ignore us, if you please.
                         This is what we do. So we do
                         with your kind permission.
                          We play our greatest roles,
                          wearing comfortable capes.
                         With the young French boy,
                         now a man, we pulled capers
                         we concocted in the streets
                         of Sevilla, rehearsing them
                        as though we’d known
                        the secrets of performing
                        someone else’s life.

Trust Issues

                       A friend you don’t know calls

                        to tell you she’s married a man

                        who could be her son, then admits

                        she has a son she’s never met

                        by another friend who last week

                        sent a message to let you know

                        he’s been in and out of rehab

                        for as long as you’ve known him

                        and to give you that advice

                        you trusted only him to give

                        about how to question your lover

                        about her intentions, without her

                        suspecting you of trust issues

                        that you most certainly have

                        but have tried so hard to keep

                        from intruding on the truth

                        of the fantasy life you’re

                        trying so hard to create.

© William C. Avedon: Path sculpture

Steal Your Face

That face. Those words.
Those words. Dead girl.
I’m still spinning. She is
wherever, wherever
words are. She dwells
in sprouts and tokes.
She has survived
what came between
sets and us and years.
She was dreaming
something else besides
her father’s hidden stash,
her mother’s bad trip
on a rock ledge. Their skulls
don’t smile, but their hats
are hers. I loved her
hair and grooves,
miracle tickets and print
flowing skirts and how
she didn’t quote songs.
That means not fade away.
Oh, her dark brown curls,
bright smile, stardust
freckles and forearm down,
embraces from hours
of silence and need.
I love you, she said that time,
spinning solo in the light,
Her lyrics. Set list. Dead girl.
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