The Literary Review
CITY BLOCKS OF TIME
On Second Avenue was a restaurant that served chocolate
in lava-like sauces, tiny dots or chunks. My son and I ate
salads and burgers, various states of chocolate for dessert
to celebrate an eighth-grade science project, a model train
with solar panel, now long derailed like the shop itself.
Afterwards, a Starbucks with comfy chairs moved in.
In 2016, I sat and looked for work with my laptop.
After 21 years, I’d been let go. Veiny hands betrayed age.
Latte after latte I drank as the resumes flew out by email
for all those jobs I’d have to take but would not love.
The furniture store supplied my rickety rolltop desk,
with drawers and shelves that are now cracked and creaking.
A bulky wooden object to populate the aging rooms.
It was replaced by a makeup shop, pretty but not practical.
Then, Taco Bell appeared with constant fluorescent lights.
The M2M market that sold sushi on the corner is gone too.
Today, all my fish is cooked, as are my job prospects.
Only contract work is offered. Eighteen months and out.
The building upstairs was demolished and rebuilt,
tenants evicted overnight. Now its bare rooms are all ablaze.
The used bookstores on Fourth Avenue have all shut down,
except the Strand, which is surrounded by doorman buildings.
Rent is too high. I don’t run into other poets in the streets now.
Not on Fourth Avenue or even Avenue A. No more books.
Perhaps at a garden reading near Avenue C, by a lost bodega.
Yes, I could leave. But a trailer park in Jersey isn’t desirable.
Taco Bells are everywhere. It’s the terrain of McDonald’s,
of lighted signs that jump out at night, blinding me to the road.
It’s just that the neighborhood of Ukrainian food and tiny shops,
the place I’ve lived so long, that I’ve loved, is leaving me.
- Elizabeth Morse
CHANCE MEETING
Stranded
outside the city
on a snowy road,
she has been looking for me.
My hand, thick with arthritis
reaches for hers.
We have not spoken in twenty years.
Now, we cannot stop talking.
- Elizabeth Morse
DRUNKS
You came over on a chilly day in May
with a bottle of vodka,
and never left for two years.
When I passed out,
you stood me up naked in the shower.
I felt reassured that you knew
how to handle a drunk
other than yourself.
When you left, it was for another woman
who didn’t drink.
How was she ever going to talk to you
without a glass
in her hand?
- Elizabeth Morse
ROOMS
My apartment has a secret room
filled with gardenias, scent of a wilder world.
The paint is green, cracking and peeling.
Rain taps slowly on the air conditioner
What would my family say?
Gardenias and wicker furniture?
You’re not that sort, they’d say.
It’s a room I saw in a dream
and it’s on the second floor of a house.
It’s my bedroom, where I sleep
when I’m not here: an alternate life.
The desk and sofa are solid. No plants.
Just an overstuffed chair and a coffee table.
But, behind the door, there is always that room.
- Elizabeth Morse
THE OUTLANDISH OFFICE
Your co-worker splashes coffee into the waste can.
Sun scorches through enormous windows,
and the desk surface gets warm and sticky.
Spreadsheets talk and dance in the afternoon,
but do not calculate what you want.
Lettuce from lunch crowds the desk.
A co-worker shakes her own vinaigrette
and frowns. Cleanliness is everything.
Messy desks are a sign of not wanting to work.
Your screen display goes sideways.
What key did you unconsciously press
to get here? Technology is inept, unblinking.
Devices quiver with unsavory laughter.
Translucent database tables slice one another,
dreaming of new names and numbers
that are color-coded in shades of disaster.
How much data will appear upside down?
Think of night, when you go home baffled,
caught in a network of plans never carried out.
Sleep takes curtains and darkness after supper.
Dreams of vast spreadsheet mistakes, violent
calculations, colors pouring out of the grid.
Office chairs collapse in blame and accusations.
They don’t stop taunting you before it’s time
to get up, have coffee and do it all again.
- Elizabeth Morse