The Literary Review
Elegy For A Dead Witch
for Barbara Holland
xxx
You’d read anywhere, in the rain
At Pierrepont Street, in a dark cellar
To three people on a dirty beach.
I never saw you laugh; you hid like the sphinx
In silence. Like all the fine monsters, you were apart.
You never tried to make even your friends comfortable.
Barbara, I can’t imagine you voting. Who’d represent
You? Sometimes lovers do. You had a boyfriend, gay,
Who sold coke. I wonder whether the two of you
Made much love. If you did, I want a tape.
But some people are better poets than lovers.
They’re intimate with ghosts. They kiss
What’s invisible. Barbara, you were built
From twigs; your mouth was a batrachian grotto.
Your voice was a snarling whine of brass.
Barbara- you were meant to scare people.
2
That’s what we do; we scare people.
We’re important; people like us are like pizza.
Terror makes people alert. They get tired of sleep.
They turn off the television, put off the caresses
And float into the street. We take them on something
More than a vacation. You buggered them on a broomstick.
They didn’t know who their guide was. Could Virgil
Be a sick insane beggar? We see in the subway mendicant
With his shuffle and piteous salestalk all the panic
And fear we discover in a city nightmare. You
Were that idol of horror. We shivered. Laughed.
Thanks, Barbara.
3
Barbara, I don’t think they need Artists in Heaven.
Everything is clear. A shaman in Paradise can only
Bring you down. Come back. Let’s have another meal
At Pennyfeather’s. We need you here on Earth, here
In the darkness. I want to go to your next reading, Barbara.
Where will it bc? Where will you threaten people?
The bums aren’t good enough. Most poets are boring.
The Vampires are all working uptown; I hear them cry out
In the bath houses: Barbara, Iím not frightened enough.
The horror movies are nothing like you!
- Mathew Paris
Elegy For Frank Sinatra
In a goldwhite tux for twenty summers
The dumb movies, the romance with Ava
His laughing Nancy puked a dark flavor
Though his chicken throat, his painted face. Comers
From brothels like hard vegas chips, white dust
Darkened the jazzy nights. You loved the rich
Crooks and thought murder was redemptive. A bitch
Who messed with Bugsy would get her bust
With the purple nipples carved into raw
Cow. Or love in your dry spitting music. Some
Black morning your thirsty blondes in the maw
Of that murderous electric city would come
Like snow in a glass hotel, their sweet South
An ivory orchid in your still-singing mouth.
Mastectomological Elegie
Jack Shugg tells me Brigette Bardot’s tits
Were cut off. Well, if that’s not the end
Of something, what is? The boys used to spend
A buck apiece to see some frog get his mitts
On the damn things. Some clods had the shits
Thinking about those big, big bazooms. I tend
To spew funereal verse about dead brains and send
The quatrains to quarterlies., Had I my wits
I would only pen elegies to breasts, bellies, rumps
And an occasional kidney. Could people steal
Her breasts? Where are they? No one dumps
An old pair of tits in the garbage. A meal
For cannibals? A nook in a museum? Now lumps
In a grave, the left breast lusts for one last feel.
- Mathew Paris
Elegy For The 60s
People look back and remember their youth:
The war that was wrong and the love that was truth.
The highs that make normal life stranger and stranger
The pleasure, the travel, the fuzz and the danger.
Be-ins and Woodstock and flights to Tangier
Crash pads where one talked of God with a seer
Sucking up grass that would bugger the brain
Marches to Washington, exiles in Spain.
I had a lover who never grew old.
Her body could sprint for Olympian gold.
When she was with me we half broke the bed.
Where is she now, dead or near dead?
And where are we all who were young and had hope
That the world could be saved by great rock and good dope?
The same place that others discover in flight
When they split the party to walk in the night.
Let me go back to the coffee house nook
Where I was the bouncer, the pimp and the cook
When dudes ran the hunt, and chicks were for sleeping
Let’s see what’s nostalgia, what dust is worth keeping.
- Mathew Paris
Elegy For A Laugh Track
Where are all the laughing dead
Those smiling souls who sold me cars?
Grinning, giggling, all have fled
To howl, guffawing at the stars.
- Mathew Paris
Elegy For Leo Trigoboff
We fall slowly through the blue aquarium
We have a feather weight; we are always
Dancing like dust in falling snow. We spy
The gold of the bellfish that sails placidly
Atop the watery sky, and guess at the bottom
The eyeless lobsters are there to devour.
That is the apparent pavanne, yet above
The skin of the sea the seraphs watch
The scurry of bluefish, the run of the shark,
With enormous eyes like white pinwheels
And in the purple caves of Heaven they see
The life hidden in indigo coral flushed out
By the charity of God, burn and burn.
- Mathew Paris
Elegy For Sidney Bernard
Sidney, when we sat together on the blue planked benches
Of City Hall Park, you talked for three hours about the march
Of the new while the pigeons danced around us.
It was finally all you took from Marx:
That the dance of History through darkness
Is a miracle like the feathery tail of a comet.
Every time I went through that core of the city
You were holding court in the guano.
I liked your office and the view of Trinity
And City Hall as you chatted among the tumbleweed newspapers.
Your large protruding eyes took in the fetid air
Of Manhattan icily; your white hair fell in braids
Like a turn of the century Red from the bowels of life.
You were never one for statues
Or anything that didn’t change. The joint is very empty
Without you, Sidney. You left your writing, not guano.
You flew through the dirt; you were one of the pigeons.
- Mathew Paris
Elegy For Marilyn
People paid money to see you wiggle
But you were much more than you ever let on
Not a dumb broad with a lovely giggle
Now only your friends know, now that you’re gone.
You came from an orphanage, never had kin
Or lovers like Friends; you were cuddled and conned.
You entered Olympics where no one can win
Learnt it’s better to lose as a pretty young blonde.
You had many lovers; they all took your looks
Men who were artists or heros or clever.
They talk of your beauty and anguish in books
Though few stayed the morning or even forever.
Some say you were shallow, unstable and wild
Though you valued fine poetry, wanted to act.
You loved simple things; you wanted a child
You were gifted with charity, humor and tact.
Those who don’t live never pay for their life
Or Maybe they do; their wages are air.
No one can judge you as woman or wife
When the life that you’ve lived is daring and rare.
- Mathew Paris
A Mini-Elegy For Bob Abramson
l
Torment begets restlessness.
The desperate eye spies chinks in the wall
The comfortable sot paints over
With a coat of fatty enamel.
The lethargic soul sitting in a chair
Takes in his suave comfort in silence
His eyes enchanted with artificial sleep.
Like a peripatetic cockroach
The spirit of hunger can sniff out
A shard of rotten apple ferreted away
In a cistern a million miles below
A pit of nightblack noxious sulphur.
2
A leg too short, a clouded eye
Are his talismans. Divinity
Needs spirits caressed by death
To sing with its angelic voice.
Nothing sadder ornaments a life
Than talent for pain pure as soap.
Anguish not redeemed is a cry
In a chorus of tongueless bears.
Few are happy, Bob; of those
Felicitous most are imbecilic
Easily entranced by a nipple
Others momentarily delighted
By seasonal weather. The Artist
Most civil of Chicago sheep
Can change his blood to silver
Offering a lunch of magic mutton.
There’s nothing like alchemy, Bob
To add a certain lefthanded charm
To the odor of a slaughterhouse.
3
Your meetings were a tea party
The March hare and Queen Of Hearts
Would have fled from screaming.
You fought with everybody but me.
I must have not been worth a wrestle.
Bob, you had the look of Dmitri
Karamazov, sometimes Smerdyakov.
You longed for one more Dostoyevsky
Novel worthy Of you. You liked to make
Love in public as though sex were
A cultic ceremony. Bob, you looked
For trouble. You got it. Once
You told me: “Some take drugs to be
A lunatic; I went crazy by myself.”
Bob, a nut has nothing to lose.
You threw away a part of life
With bizarre and farcical passion.
Finally they found you in a dressing gown
Propped up against a door, dead and still.
Some wonder why so many people blessed
With lives more tidy and commodious
Had given charity and duty to many
Fewer souls than you. I know why.
You were much too injured and anguished
To watch the weather and television.
- Mathew Paris
A Brooklyn Elegy
I got your letter with your modest, muted
Words: the details of your wife’s demise.
I’m glad at the last she’d been rooted
In clarity. Harry, you speak well of her wise
Laconic character. You two were suited
For domestic pleasure. Good. I surmise
You shared this large felicity for two
Decades. Like quiet nesting cranes you
Were both aware she’d adorned the hill
You lived on with a hearth of simple comfort.
One climbed a few grey painted stairs till
One reached the door. One rang. A short
Boy, your son, would answer. There, still
You must remember many voices. Our sport
In the cellar was ping-pong. Your immense
Dog watched us we talked. I had the sense
Your wife was pleased to bring a silent grace
That eased the social life within your home.
She said little. She moved in lower case.
Your son had gravity like hers. A poem
To celebrate your world you made from space
And shards of consciousness could comb
Truth from that mortality forever. A rite
Is often what we do- then what we write.
The miracle of marriage, what one shares
For a time, must haunt this Brooklyn cove
From the wind. Once we passed the stairs
Sniffing pleasant odors from the stove
And entered the living room. In soft chairs.
You showed me your verse. The dog dove
Under the couch, began to snore. I read
These sonnets to your wife. You two, wed
In your handsome and handwritten lines
Inked there forever. Like other pages
Drawn mysteriously from etheric wines
They were like nothing else. The mages
Of Dys, Harry, made you singular. One dines
On wild fare at your table. The sages
Of our provincial country don’t admire
What not banal. Tant pis. Near a fire
On that February night I read these fine
Translations of your life together, writ
Not in print but in your hand. Intimate.
Paying wages I will never know, some redefine
The uses of the language. These did. It fit
The assymetrics wrought into crannied line
And shape that is the wonder and the pity
Of every marriage. In this granite city
Few have had such strange felicity. I thought
This man, my friend, years beyond the rite
Of courting like the Brownings, has wrought
In dusky rhymes a colloquy which might
Seem less sparkling than rubies caught
In the cages of jejune passion. Your insight
Is for those who’ve been together
Unlike clouds who fly by- like the weather.
2
I’ve heard domestic pleasure lacks perfection.
Nothing’s quite like failure when you’re intimate.
One’s honor’s fodder for dissection
Vengeful injury or knifelike wit.
Nothing carnal gives us much protection.
What history some loved is stone and fit
They say for Art in dark museums. Your wife
Enjoyed the very turns and points of married life.
Most poets lie about their lovers, not you
Of course nor I, most honest when a rhyme
Suggests a fine if sugared phrase. We do
What modern chemists must. Is it a crime
To dabble in hyperbole? What is true
Is found in every mote of air. If time
Permits not to know but merely dabble
You and I must write the purest babble.
Shakespeare in his sonnets speaks
Of verse that fires flesh to ghostly gold.
If poetry is alchemy the cheeks
Of youthful summer, rhymed, do not turn old
And passion with its mysteries one seeks
In iambs, never glimmers to ashes. Mold
Can’t color lust in a quatrain. This claim
Is moot. Most poetry’s a beauty game.
Keats claims no less for bacchantes on an urn.
Any youth who talks of beauty being truth
Is suspect. Hungers are trash. We burn
Foolishly in life. For crones the tooth
Of comeliness is hidden in a cloak. Some turn
To other goddesses; here is no end to youth
To all these farewell magick shows. The fair
Are often less so later. Even beauties wear.
Can Daniel Boone’s of love can forage
In the forests where quickness fluttered
Merging with mushrooms. Many a marriage
Is better than any local harper muttered
Or the verse of Shakespeare. Did Keats disparage
The ore of domesticity? Few have uttered
Praises of the epilogues to romance;
I am one of them. I’ve had a few by chance.
I’ve forgot nuch of what I loved. A fool
Takes up the wizardry of any gossamer
And often I am grateful for this tool
From oblivion. For harpers to inter
All memory in darkness seems too cruel.
I sniff such verse. The ancient myrrh
May have a whiff of summer. The dry rose
May have a clue to passion no one knows.
There are many forms of grief. My own
Is that I’ve had no wife at all I’d mourn.
Not much is gone that I regret. The bone
I thought I’d loved was treachery and porn.
I’ve been for love and less a drone.
I think an iron law demands some born
Are shallow. When they die I drop no tear.
For some the Chesire cat does not appear.
One walks into a room and often there
Are purple lovers one has never guessed
Were wandering on this planet, Somewhere
The forest is dark blue where the West
Has buried its old light. The most rare
Improbable black jaguars hide, dressed
In fire beneath vermillion sunsets. Still
They wait, all jaws and teeth and will.
Hunger is cosmic. In monsters such
Lust on mossy floors turn worms obese.
In the dark blue forest, the trees touch
The odor of midnight with white roots. Peace
In a women of charity is all grace. Much
Of this beauty of family is maligned. Fleece
Us of our loveliness and we are no more
Than bottom fish. And flounders are a bore.
3
Today I walk out with my son to play
Handball at the Brooklyn college courts
There the nests of parakeets who on a day
Flew from the comfort and domestic sports
Of homes to live like Americans. You may
Have heard tropical birds are sorts
Who do not live through winter. Once sought
In malls, joyous, they mock the thought.
From towers of light these bright birds
Vie with sparrows, chickadees and terns
For the trash of the world. Songs without words
That parody forgotten masters in ferns
Cleave air as they lunch. Dropping ivory turds
They hawk their throaty cry. Flight returns
To the mother of life spirit and excrement.
Two soul-mates married in their strange ascent.
My son and I walk past turf where young men
In helmets run in games. Over the ground
We trot watching the crunching spasms. Then
We and see a bright green feather. The sound
Of parakeets is loud and raucous. When
We make a circle of their spasmed world. Around
The handball courts, to throaty cries
We put away the yellow feather as a prize.
Astroturf dyed green yet slick and sterile
The field of powdered emerald has wedges
Of stubble eating deadness with virile
Hunger for the capacious sun. Ledges
Of concrete tilt from the push of feral
Roots below their grey expanse. Edges
Of the field grow moss alive in stone.
Feasters chewing ashes, air and bone.
Upon the artifice a brace of seven crows
Stately and grave. stand on a cavity
In the red clay track left by the snows
And drink from a pool of water. Gravity
Of winter gives them a cup. What flows
Into their beaks has no memory. Depravity
is often reptilian recall. Where seven
Innocents have little to forget is heaven.
Indians who lived here once could read
Molting like poets’ rhymes. A long
Feather from a crow spelled death. Freed
These rider of the air do not belong
To any fortune teller. They peck grassy seed
And survey low games from a nest. Strong
And young, they snatch bread from sparrows
Then glide to towers where the air narrows.
Bright green, they wink through snow
Dropping feathers on the shaven ground.
The banks of lights are steely trees. I go
Volleying with my son, the others drowned
In poisoned magic. These darlings show
To scholars the healed heart of profound
Spirit. Our scars are stones of prior death.
The stink of yesterday befouls our breath.
They filch their nests from winter trees
Twigs perished in ice. Bright, they never
Howl about chill winter. They mount a breeze.
The ghostly winds are chariots. Clever
Babblers vying with starlings, chickadees
And crows for seeds which grasses drop forever,
They skim, float. There is nothing to say
But raucous flight revolving on a day.
- Mathew Paris