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a journal of literature & art

The Literary Review

Issue 10                    Page 62

Mummified Words

(Based on a true story.)

At times she’d say she was “no good,”

None understood why she’d say it.

In darkened nights and days she would

give birth and knew she was putty

in his arms, she would be there when

he would call again. She’d store them

in the attic wrapped in the morning’s

news. Who knew of the spinster’s secret

family in the dusty trunk?

A “pillar” of the local church,

the children ran to her, and she

helped her Mom run the boarding house.

In darkened nights and days she would

give birth then stuff its crying mouth,

roll it in the morning’s paper.

One who had been allowed to grow

to walking age soon was grabbed, placed

among the silent ones. None could

understand why she’d say she was

“no good,” until nearly fifty years,

and she was gone. Found in a nursing

home, retired, he claimed he never

“got the news.” He had a sibling

who’d been married with no child of

her own to hold. She cried, repeating,

“life isn’t fair . . . life isn’t fair . . .”

In darkened nights and days she would

give birth and knew that she was weak

in his arms . . . in the small town where

everyone knew one another—and

attics could hold their dusty secrets.

At times she’d say she was “no good,”

None understood why she’d say it.

His Grace

In his own and complete

world he’s taken his time

to be a winter man.

Skating over ice

he can handle himself

with graceful turns.

In the spring he

runs by and can enjoy

all the newly “sprung.”

In summer, swimming—

he’s Neptune

in a watery paradise.

In the autumn

with gentleman moves

on the floor, he’s a “Fred Astaire.”

He can handle any dance rhythm.

He seems to know the seasons.

He’s not been left behind.

With his pen he moves

well with iambic feet.

In his world

what will he not master?

And then—I see the birds.

The Chicken and the Jack-O-Lantern

Was it fruit or vegetable? It had a smile

not to be trusted. Words with no value

in the morning, a mouth that could bring fourth

some evil things. A Halloween vegetable

character; Jack-O-Lantern preserving

an aura with a light that couldn’t light

an onward path, or cast light on sincere words.

A vegetable has its time, this one turned

to be synthetic, with an ability

to preserve itself, put itself away

for the next Halloween. And now she’s confused

chicken-vane turning outside in the cold wind,

having to cope with harsh changes, pointing,

asking, repeating—what were you? What were you?

Who are you? And what are you? What were you?

The Wheel

She was once her mother’s doll,

cleaned with care and hugged

and proudly wheeled.

At the doctor’s office mom now waits,

bears the weight of almost a century.

A knit hood around her head,

and a black coat – is just strapped

tenderly about.

Now and then her head drops,

as if pulled by a past remembrance.

Was it in old Havana? Old San Juan?

El viejo Nueva York?

An ivory shawl drapes over her knees

to where her feet are crossed

in pure white socks and soft

black slipper shoes.

Her now grey doll returns

holding a new appointment.

She exchanges a few words then proceeds

to wheel her home, as clean and hugged

and proudly wheeled as she once was.

© Patricia Carragon: Drump Nation
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